I would like to do something really big and then something really small, and see what it's like to work in that way, but in front of a live audience.

I always have an adjustment period where I'm so happy to be home, but then my sense of purpose is totally gone.

The only constant I can find is hard work.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

I think I was almost 12, so I knew who George C. Scott was, but if I could work with George C. Scott now, I'd be so pumped.

For me, playing a really bad character is about figuring out what brought the person to where we need him.

I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].