I would like to do something really big and then something really small, and see what it's like to work in that way, but in front of a live audience.

I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.

I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

I think there was a lot of working out the arc of how Manny [Daniel Radcliffe] talks. Scene to scene [in the Swiss army Man], if I would start talking a little too well, they would come in and say like, "Hey, you need to [dial back] your ability to speak" - things like that.

One of my favorite films is 'Dumb and Dumber.' I'd love to do some really silly comedy someday.

Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.