I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].

Michael Caine is so happy. Happy and healthy. I think he enjoys life. I think he's 82 now, and I have no clue if I'll be working at that age.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."

As your career progresses, you hope that you get some more opportunity, or some more choice.

For me, playing a really bad character is about figuring out what brought the person to where we need him.