I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].

I would like to do something really big and then something really small, and see what it's like to work in that way, but in front of a live audience.

I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

I love that it's such an uncynical film [Swiss Army Man]. I think it's got a lot of love in there, and I think that's a nice thing in this day and age.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.

I always have an adjustment period where I'm so happy to be home, but then my sense of purpose is totally gone.