I tried practicing for a few weeks and ended up playing too fast.

Complexity can be a trap. You can have a ball developing a phrase, inverting it, playing it in different keys and times and all. But it's really more introspective than communicative. Like a crossword puzzle compared to a poem.

Our basic audience begins with creaking elderly types of twenty-three and above.

Sometimes I get the feeling that there are orgies going on all over new York City, and somebody says, `Let's call Desmond,' and somebody else says, 'Why bother? He's probably home reading the Encyclopedia Britannica.'

I would like to thank my father who discouraged me from playing the violin at an early age.

I think I had it in the back of my mind that I wanted to sound like a dry martini.

We used to get on planes, and they'd ask who we were, and we'd say, 'The Dave Brubeck Quartet', and they'd say, 'Who?' In later years they'd say, 'Oh', which amounts to the same thing.