I have an inability to enjoy things, but that's why we're in comedy. If we were happy, we wouldn't be funny, I guess.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.

There's nothing worse than the sequel that's a letdown from the first movie.

The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.

I don't like weddings. I never have. I find moments in them I really like, but I always look at them like, "Oh my God, we have to go to a wedding." My problem with weddings is that they are just too long.

Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, "Hey, why don't you talk to Katie?"

I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.