I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."

I can sit in the room with the other writers and just keep saying no until there's something I really like or until I come up with something. In that respect the proportion of what's mine and what's other people's is controlled by me. It isn't even fair to talk about.

I wouldn't sell my bike for all the money in the world. Not for a hundred million, trillion, billion dollars!

I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.

I was looking for a last name that was a first name. Growing up, I knew a kid who was the most obnoxious kid I ever knew, and his last name was Herman.

I'm just trying to illustrate that it's okay to be different - not that it's good, not that it's bad, but that it's all right. I'm trying to tell kids to have a good time and to encourage them to be creative and to question things.

The public already knows about me more than I ever wanted it to know.