I can sit in the room with the other writers and just keep saying no until there's something I really like or until I come up with something. In that respect the proportion of what's mine and what's other people's is controlled by me. It isn't even fair to talk about.

I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."

I have a deal with a company that's going to do cards without the gum. I don't like sugarless gum, and I don't think it's much better for you.

I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.

Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.

I'd love to work with Francis Ford Coppola. I met Coppola on an airplane.

People read so much into what I do. It's fascinating to me because some of it's probably there, but I haven't thought of it.