I greatly enjoyed Tom Reiss's The Orientalist, for its mingled scholarship and sleuthing, and for so elegantly solving the puzzle of one of the Twentieth Century's most mysterious writers.

People talk about the pain of writing, but very few people talk about the pleasure and satisfaction.

I said I didn't think it would be a collectivist state so much as a wilderness in which most people lived hand to mouth, and the rich would live like princes - better than the rich had ever lived, except that their lives would constantly be in danger from the hungry predatory poor. All the technology would serve the rich, but they would need it for their own protection and to assure their continued prosperity.

I never stay with people and I never look people up when I travel. I depend more on just chance meetings. The advantage is that people don't know who I am. I meet people casually and they're not doing me a big favor because I'm going to write something.

The lust of the eye. The best photographs were, to me, like an experience of drowning.

A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.

Travel works best when you're forced to come to terms with the place you're in.