Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.

As I have said many times before, I was among the first people to experience the German Occupation of France during the Second World War. I was 7-13 years old during the War and did not really internalise its significance.

'Cyberwar' has nothing to do with the destruction brought about by bombs and grenades and so on.

Television was first conceived to be used as some kind of telescope, not for broadcasting. Originally, Sworkin, the inventor of television, wanted to settle cameras on rockets so that it would be possible to watch the sky.

Sovereignty no longer resides in the territory itself, but in the control of the territory. And localisation is an inherent part of that territorial control.

The creation of a virtual image is a form of accident. This explains why virtual reality is a cosmic accident. It's the accident of the real.

It was a total and absolute surprise to find out that what was inside the concentration camps was a sea of skeletons. What is clear to me, therefore, is that while the tragedy of war grinds on, the contemporary aesthetics of the tragedy seem not only confused but, in some way, suspicious.