Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy.

Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.

Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.

Sovereignty no longer resides in the territory itself, but in the control of the territory. And localisation is an inherent part of that territorial control.

I believe that the politics of intervention and the Kosovo war prompted a fresh resumption of the arms race worldwide.

Time is not something that can be measured with a pendule. Time is something that we build together within a tribe, a family, a region.

I believe that the military-industrial complex is more important than ever. This is because the war in Kosovo gave fresh impetus not to the military-industrial complex but to the military-scientific complex. You can see this in China.