For me, my entry point, when I was old enough, was the skinhead/suedehead thing, sort of like '70/'71. People didn't have much money - they would save up, or whatever - but everyone always dressed up. You'd go to a dance at the football club on a Thursday night and all of us kids - all of us from maybe like 12 to 16 - were all dressed up.

I think you have to satisfy yourself first and foremost. There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them. If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise you might as well make it in your bedroom and leave it there.

When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.

Being a musician is a noble profession.

I play out my role, I've even been out walking -They tell me that it helps, but I know when I'm beaten.

Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.

The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.