I think as a standup performer you have to feel the audience. So the audience kind of dictates what they get, you know?

My 20s were a time where I made it; my 30s were when I was away, confused, and trying to figure it all out.

Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

I kind of was raised at The Comedy Store by comedians. When you see my dad on stage before me and then you see me, you'll see where I got a lot of my stuff.

All these kids in Hollywood, the people born and raised out here, their parents are all in show business, and that's why I think we're good. That's why we're on top of the game now because we were born in it.

I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.

People should stop poking fun at other people and worry about themselves. The reality is that my movies all have made money.