Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.

I fly around with chicks on each arm and have no script. I just talk about what I feel like. But that's why my act works: I'm like this normal guy.

I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.

I never got into The Jetsons too much.

I liked Evel Knievel, and that game Mouse Trap. That was pretty cool.