Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.

I kind of was raised at The Comedy Store by comedians. When you see my dad on stage before me and then you see me, you'll see where I got a lot of my stuff.

Few if any teenagers can relate to getting up for school and finding famous comics like Pryor and Williams hanging out in your living room after a hard night of partying. But that's Hollywood.

I never got into The Jetsons too much.

When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.

As an artist, what you do is you put out material constantly. Whether it's films, or TV shows, music... and you know, you hope people respond to it. You always have to know, as well, that not everybody's gonna like it. And that's okay. It's not for everyone. It's just for the crusty nugs.

I want to have my face look like Brad Pitt. Then I'll be with Jennifer Aniston and then Angelina Jolie. Then the real Brad Pitt will come in, and we'll have a Brad Pitt face-off.