Nothing in theatre has any meaning before or after. Meaning is now.

In the theatre, every form once born is mortal; every form must be reconceived, and its new conception will bear the marks of all the influences that surround it.

You have to live to the responsibility of the person who has won, which is even greater than the responsibility of a person who has lost.

Reality' is a word with many meanings.

Tradition itself, in times of dogmatism and dogmatic revolution, is a revolutionary force which must be safeguarded.

A stage space has two rules: (1) Anything can happen and (2) Something must happen.

Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.