I like the fact that I like to think out-of-the-box. Thinking out-of-the-box goes along with dressing out-of-the-box and living out-of-the-box. If you want to come up with a really original design idea and you want to capture a whole new design direction, perhaps the best way to arrive at that is not by acting and thinking and doing like everybody else. That's all.

I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.

When you're 20, you think the whole world is talented, but whenyou get older, you realize the opposite is true.

When you design someone's house, it's actually painful. I never say, "This house will be a total reflection of you and any defects in it will make you look defective." But people do expect their homes to be reflections of themselves. So what I say is, "Just pretend this is your eighth home. By then you won't care."

Throughout history, from Abyssinians and Greeks onward, artists, sculptors, and architects have worked together. I find this post - World War II thing, this segmentation of the arts, so lame. It's the laming of the arts.

I like my clients. All of my clients say, "Peter. You're talented. But, your best virtue is your discretion." They really don't want to be talked about.

People's first homes are always disasters. It's like the first time you have sex. It's never as good as later on. It always gets better.