The moment in which the narrator, reaching for his boots, becomes vividly and lastingly aware of the finality of his grandmother's death is another such moment. It would be interesting to explore Proust's great novel from the perspective of seeing how stable synthetic complexes are formed and modified.
Philip KitcherIf the research agenda reflects "market forces", the problems of the poor are likely to be even more neglected than they already are.
Philip KitcherI'm a fan of Hugh Kenner, Richard Ellman, Lionel Trilling and Frank Kermode. All these people have taught me how to read - but perhaps, above all literary critics, I'm indebted to Wayne Booth (several people have suggested to me that I'm trying to reinvent "ethical criticism").
Philip Kitcherconclude, what Thomas Mann really wanted was a limited physical relationship with beautiful young men: the opportunity to gaze at them, an occasional touch, a restrained kiss. That isn't a surrogate for what he'd like to have if he were somehow free from social constraints. It's what the young Platen wanted, it's what he wanted - and it's what his Aschenbach wants.
Philip KitcherI suggest in my own discussion of this episode, Mann invites us to set the attempt to philosophize about his predicament in the context of Aschenbach's life. The literary presentation thus adds to the naked philosophical skeleton.
Philip KitcherPresenting Aschenbach as a composer - based on Mahler - leads to some dreadful scenes (especially those in which Aschenbach is berated by his student), and it surely distorts the character Mann created. Yet, we know that Mann's novella was based on a holiday in Venice he took with his wife and brother, and that while he was there he followed the reports in the German newspapers, describing the dying Mahler's progress as he returned from New York to Vienna.
Philip Kitcher