Maybe sometimes we don't do the right thing because the wrong thing looks more dangerous, and we don't want to look scared, so we go and do the wrong thing just because it's dangerous. We're more concerned with not looking scared than with judging right.

I look at the state of the American politics and I scratch my head in wonder. How can the Republican Party, any party, have fallen into to such a state of self-destructiveness - self-destructive stupidity? How is it possible? I don't know. It's an absolute mystery to me.

But suppose your dæmon settles in a shape you don't like? Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is. But it didn't seem to Lyra that she would ever grow up.

Thou Shalt Not is soon forgotten, but Once Upon a Time is forever.

If you want to write anything that works, you have to go with the grain of your talent, not against it. If your talent is inert and sullen in the face of business or politics...but takes fire at the thought of ghosts and vampires and witches and demons then feed the flames, feed the flames.

The way you speak of the characters in your story shows what you think of the values of conservatives‚ or evolution, for example. It shows where your moral center is. So you are in the message business whether you like it or not.

One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.