When I found acting, it was my saving grace - still is. That I get paid to do it is remarkable. That I get to meet people like Salma Hayek - one of the most beautiful women I know, with the most magnificent energy - is phenomenal.

Being here by the ocean in Malibu. Living in this beautiful house that we built, that took so long to build. Being in my art studio, painting. Packing my bags tomorrow to go home to Kauai where we have a house. Which all sounds very grand, and I suppose it is, in some respects, but nothing comes from nothing. It all comes from hard work.

I live a very simple existence when I'm not on the road. Because when I'm on the road making a movie, I'm away from home.

To my eye, women get sexier around 35. They know a thing or two, and knowledge is always alluring.

It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.

It felt after the Bonds, after my four outings as James Bond, there seemed to be unfinished business. And the way that the Bond finished in my life and the demise of Bond going off stage left into the night, it seemed like there was a certain void there, as they say, of unfinished business.

There's no question about it. Beaumarie St. Claire and I, we created Irish DreamTime after GoldenEye hit. We made movies like Thomas Crown and The Matador. And in between my stints as James Bond, I'd go off and I'd do something like The Matador or Tailor of Panama, which was spy related, just so I could shake it up. It's a genre which really appeals to me.