From '86 until the summer of last year, wherever I went, people would say, You would have made a great James Bond! Weren't you going to be James Bond? You should have been, you could have been, you may have been. Yes, yes, yes, yes, yes. It was like unfinished business in my life. I couldn't say no to it this time around.

There's no question about it. Beaumarie St. Claire and I, we created Irish DreamTime after GoldenEye hit. We made movies like Thomas Crown and The Matador. And in between my stints as James Bond, I'd go off and I'd do something like The Matador or Tailor of Panama, which was spy related, just so I could shake it up. It's a genre which really appeals to me.

When your partner gets cancer, then life changes. Your timetable and reference for your normal routines and the way you view life, all this changes. Because you're dealing with death. You're dealing with the possibility of death and dying.

I love movies. I adore movies. I grew up on Steve McQueen and Clint Eastwood and Warren Beatty. The list goes on. Spencer Tracy. I wanted to be in movies.

You have to move forward. It's constantly changing. Everything changes and everything falls apart. You have to be nimble and on your toes and accessible to it all. Not everyone is on board with this.

The Bond was so big and mighty in my career, and it is the gift that just keeps giving. I wouldn't be here today talking about "The November Man" if it hadn't been for James Bond. So, there was a desire, a want, and a need to make this film, "The November Man." I loved the title. It has a sensuality and a mystique to it.

I'll make phone calls. I'll call anybody and knock on any door to try and get a location, or get an actor, or get an actress. But no, it was just very easy. We just hit the ground running.