The truly modern artist is aware of abstraction in an emotion of beauty.
The more basic the color, the more inward, the more pure.
To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual.
It is a task of art to express clear vision of reality.
Colored planes, by their position and size as well as by their value, express only relationships, not forms.
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.