The atmosphere of the theater is my oxygen.
Every three days on average, I am alone on stage, facing the public.
When working with an orchestra, you never spend more than 20 minutes per recording session.
The public is a part of my real life.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
Singing becomes a form of therapy.