This season, over eight productions, I am presenting four young tenors.

I have always studied my parts with the orchestral score and not with the piano reduction.

Don't you think it astonishing that, at 58, I am still working at improving my career?

I feel at home in an orchestral score.

When it becomes clear that no one else shares your level of passion, you are where you belong.

To stay at my best, I have to stop talking during the preceding day.

When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.