Honestly, if the public still wants to hear me in some works, I have to go down a half step.

I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.

I was married at 16, a father at 17 and divorced at 18.

I attended less than two years of Conservatory in Mexico City.

When working with an orchestra, you never spend more than 20 minutes per recording session.

With my personal preparation at the piano, I can afford to hum at half voice.

Every three days on average, I am alone on stage, facing the public.