In the last century, everybody was singing lower.

This season, over eight productions, I am presenting four young tenors.

When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.

It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.

When working with an orchestra, you never spend more than 20 minutes per recording session.

I'm not superstitious because it brings bad luck.

The public made me and then encouraged me for many years, and my future even now depends upon it.