Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.

The music suddenly became important enough for me to build my own sound studio and start to prepare songs to possibly put out into the world.

I have never been part of a scene. I've always been a bit of an island really, but I am fine with that.

I always want to know which tracks are the journalists' favourites.

I feel that the internal worlds of women are not that well represented by society. It is not an immediate thing people think about - the imagination of women or women's philosophy.

I'm really into production and I'm also into producing my own sound because the sonics, in a way, is the language.

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.