When you think about Balenciaga muse and model Charlotte Gainsbourg and Lou Doillon - I mean, you look at their mother Jane Birkin, and what they have grown up to be . . . They aren't invaded in fashion, and yet they love it.I mean, who is going to schlep these big skirts and trains and all these things? How wonderful it is to see the young in miniskirts!

I also had a huge crush on William Holden. I would go to see William Holden's movies alone - I didn't want to be with anybody. I just wanted to be with him.

That's why you have to keep your mind open - so that you can be given the privilege to have five weeks in Japan and take all of that in. I mean, that's privilege to be able to do that. And you have to give that privilege back - it doesn't belong to you. It belongs to the madding crowd.

One day, Sally Kirkland said to Diana Vreeland, who was the fashion editor of Harper's Bazaar at the time, "I have a young woman I want you to meet. She's very young, but I think you should meet her." When Sally Kirkland told me this, I said, "I can't possibly do that! I'm going to throw up! That's the scariest thing I've ever heard! I can't do that, Sally. I'm not ready to do that!" But Sally said, "You let them make that decision." I was absolutely terrified.

I thought Fred Astaire was the most chic man. I loved the way he dressed. Never mind his dancing, which was beyond - he was just so elegant and had this freedom of body.

I hate grunge. It was the worst period of my life.

I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.