When you think about Balenciaga muse and model Charlotte Gainsbourg and Lou Doillon - I mean, you look at their mother Jane Birkin, and what they have grown up to be . . . They aren't invaded in fashion, and yet they love it.I mean, who is going to schlep these big skirts and trains and all these things? How wonderful it is to see the young in miniskirts!

I also had a huge crush on William Holden. I would go to see William Holden's movies alone - I didn't want to be with anybody. I just wanted to be with him.

I like people with guts. I want to feel in the clothes what the designer is really feeling when they're alone with themselves and their fabrics and they're drawings, and what happens when they let the creativity that they have been blessed with come forward. That's why they are who they are.

I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.

You can squint and see something else, or something will come forward in the paint. You'll always see something else.

When I graduated from school, World War II was still going on. At the time, my eldest sister, Nancy, was working in New York City at Lord & Taylor, and she had a great friend named Sally Kirkland who she worked with there and who later went to work as an editor at Vogue. I always told them, "I want to work in fashion like you do," and finally, in the late '40s, I got a job at Lord & Taylor, too.

I personally do not think that I have ever done, in my working life, anything vulgar. I know I've done provocative things.