I write very raw, ugly, illiterate first drafts very quickly (novels are always in first draft in under a year) and then I spend years and years fine-tuning, revising, editing, etc. What inspires me? Who knows. I am not inspired that much. Thatโs why I write long form fiction - I am not much of a short story writer. Ideas come seldom, but when a good one comes, I really stick to it and see it out. Iโm a problem-solver - I've never thrown out an entire manuscript; I've always forced myself to repair it until it was a lovable thing again.
Porochista KhakpourI just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.
Porochista KhakpourMaybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time. I was in a very dark place, in lots of foreign cities, far from New York. A lot of personal trials and tribulations took over my life in those years. It might be some time before I see what therapeutic function this book did serve. But for now, it's not even easy to read from it.
Porochista KhakpourMy characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is what threatens stability and normalcy and yet it seems very much a part of being human - at least we are all a bit obsessive and compulsive. Aren't all humans driven by mad desires for one thing or another?
Porochista KhakpourBeing unique seems more desirable than ever. People are exhausted by clichรฉs, by platitudes, by mass-produced realities, by what's been done and done and done. The role of a true artist is to present their own unique vision, and so it has always made sense to me that works of art should be radical.
Porochista Khakpour