I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.
Porochista KhakpourBecause for me to go fully experimental, it would turn into an artist book actually. And I'm not opposed to that. But I wanted to toy with the conventions of traditional narrative and sometimes to do that all the way, you have to actually utilize traditional narrative, I think - or it's one way to do it.
Porochista KhakpourIt [9/11 tragedy] was the spectacle, what al-Qaeda gets its main power from - why their terrorism truly earns the word "acts." They are very theatrical, always - the simultaneous violence, the grandiose, symbolic gestures (the number 911, "United" and "American" flights, the World Trade as target etc). And then its aftermath.
Porochista KhakpourMaybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time. I was in a very dark place, in lots of foreign cities, far from New York. A lot of personal trials and tribulations took over my life in those years. It might be some time before I see what therapeutic function this book did serve. But for now, it's not even easy to read from it.
Porochista KhakpourBe careful what you wish for, I guess. I believe - this will sound bloated, but I believe it - that true art, the potent stuff, can take the world down with it, just like religion can. And the opposite of course.
Porochista KhakpourBeing unique seems more desirable than ever. People are exhausted by clichรฉs, by platitudes, by mass-produced realities, by what's been done and done and done. The role of a true artist is to present their own unique vision, and so it has always made sense to me that works of art should be radical.
Porochista Khakpour