Because for me to go fully experimental, it would turn into an artist book actually. And I'm not opposed to that. But I wanted to toy with the conventions of traditional narrative and sometimes to do that all the way, you have to actually utilize traditional narrative, I think - or it's one way to do it.
Porochista KhakpourThere is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
Porochista KhakpourBut literature, I discovered, can also save you. Truly. Over the clichรฉ and through the truth, it can save.
Porochista KhakpourI both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.
Porochista KhakpourI wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel Garcรญa Mรกrquez does that, for instance - it adds to the joy, dares you to believe the unbelievable. And why not: so much of life is so dreamlike, so strange, so absurd.
Porochista KhakpourMy characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is what threatens stability and normalcy and yet it seems very much a part of being human - at least we are all a bit obsessive and compulsive. Aren't all humans driven by mad desires for one thing or another?
Porochista Khakpour