I wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel García Márquez does that, for instance - it adds to the joy, dares you to believe the unbelievable. And why not: so much of life is so dreamlike, so strange, so absurd.

Being unique seems more desirable than ever. People are exhausted by clichés, by platitudes, by mass-produced realities, by what's been done and done and done. The role of a true artist is to present their own unique vision, and so it has always made sense to me that works of art should be radical.

There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.

It [9/11 tragedy] was the spectacle, what al-Qaeda gets its main power from - why their terrorism truly earns the word "acts." They are very theatrical, always - the simultaneous violence, the grandiose, symbolic gestures (the number 911, "United" and "American" flights, the World Trade as target etc). And then its aftermath.

Time kept on and on like the cheapest toilet paper.

The Illusionist is the storyteller in so many ways. Symbols become his obsession. It's not simply about creating plot - one must also grapple with theme. Nowadays we have a lot of characters and a lot of action but it's hard to sit still and really meditate on meaning, worldviews, concepts, ideologies even. I make my Illusionist do what I've had to do, often with copious amounts of stumbling and frustration. His real humanity comes from being an artist, I think - his creativity is what makes him a man.

9/11 was just an enormous event in so many senses of the word - I mean, we are still in the "post-9/11 era" and perhaps will be forever? Sometimes it seems like it. It was such a monstrous act of imagination over anything else - the actual fatalities, while awful, were not what distinguished the event from others.