I do try to speak of positive things. I still try to, like, present two sides of the story, and I do try to relate to life in a 360 degree and not be one-dimensional. But by all means, manage expectations.

I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.

In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.

I do try to speak of positive things. I still try to, like, present two sides of the story, and I do try to relate to life in a 360 degree and not be one-dimensional. But by all means, manage expectations.

Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.

When I watch films now, theres more of a musicality to the way the film are written.

Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.