We all have our own takes on things. To being yourself. The abstract, the whole thing that I play with, seems to result in seeing through your lenses, and once you express how you see things to others, you start to see there are similarities between all people. It's kind of like, no matter how far you go, you're still where you started, in a way.

Rap is not pop, if you call it that then stop...

I do try to speak of positive things. I still try to, like, present two sides of the story, and I do try to relate to life in a 360 degree and not be one-dimensional. But by all means, manage expectations.

Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.

Back in the days when I was a teenager, Before I had status and before I had a pager, You could find The Abstract listening to hip-hop, My pops used to say, it reminded him of be-bop, I said, well daddy don't you know that things go in cycles, The way that Bobby Brown is just ampin' like Michael, It's all expected, things are for the lookin', If you got the money, Quest is for the bookin'...

You can tell how good a filmmaker is if you can turn the sound down but you can still feel the story.

I'm a cinephile. I love movies, I love film at every level. I'm a student of it. It informs me as does all art in my music, because there's stories, there's acts, there's moods, there's dynamics, there's moodiness, emotion. All of those things that play into a film. I think that could equally be said about music. It definitely informs me. Beats is stories.