People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.

Some Buddhists, however, never seem to get past the void, and I suppose I view this as a kind of Buddhist 'Old Testament' that I don't especially like.

I can't imagine anyone ever again being able to make a film like, say, Summer Holiday, for instance, to give a British example, actually. And there will never be another Annette Funicello. I suppose it's the slight starchiness of the innocence that makes it unrepeatable.

The cultural products of America from this period [ fifties and sixties] are like a vision of paradise or something. I find it utterly intoxicating.

She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.

I feel that Nagai Kafu was a writer who cold stitch together apparently meaningless moments like these into a lyrical whole, and has enhanced my ability to do the same with my own life.

I like the concept of an anti-muse, though I'm not quite sure what that is. If there is such a thing in my life, I suppose it is just this weariness, this sense that it is more fulfilling not to exist, to efface all traces, than to limit oneself to the determined expression of manifestation.