I like a much more Japanese style of blood, where it's red and it almost has a paint kind of quality to it. You can put it on metal, and it has this vividness. Because, normally, what they use in Hollywood is this stuff that looks like strawberry pancake syrup or raspberry pancake syrup.

I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.

I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.

To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.

I was kind of excited about going to jail the first time and I learnt some great dialogue.

What the internet has done is destroy film criticism. I would never have guessed that the profession of film criticism would be going the way of the dodo bird.

Well, it's funny because, "The Green Leaves of Summer" and "The Alamo" theme are the same thing. There's just - the Brothers Four was a different recording of it.