I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.

I don't judge my characters, and that's my job not to judge them.

I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.

But the truth of the matter is, that was fairly, fairly early on in Goebbels' 800 movies that he made in Germany. The majority of them, especially once the war got going, you hardly saw Nazi officers in it at all. They were mostly musicals and comedies and melodramas and stories of great German men from the past.

Unfortunately, every time I have somebody play an instrument, it's always like, they don't know how to do it.

I won't even think about acting in a role where I didn't do a back story for a character.

When I went to do my big audition with actors for Mr. Blonde, the thing that was very interesting was the first person to actually do the audition with the song, and they kind of actually acted out the whole scene, they weren't so great. It wasn't that they were magnificent, but the song, it was the first -it was all - been in my head.