I like my song-sequences in my movies, but one of the things I like about them, is I get in and I get out.

Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.

I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.

You can do all these kinds of things that are up close and personal, but you really have to bring your strength, and really - you have to really be committed to actually strangle the life out of somebody, to crush their larynx and just squeeze every drop of life out of them.

A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

My only obligation is to my characters. And they came from where I have been.