To be a novelist, all I need is a pen and a piece of paper.

Most, actually, German actors have like some speaking of French. So, the French wasn't the problem. But, I was having a problem with them doing my dialogue in English. And it wasn't a matter of fluency.

I'll write for a while and then I'll find an appropriate song and in a weird way the music will keep me in the mood. I find music to define the mood of the movie, the rhythm the movie is going to play in.

But the idea of using the Apache resistance, one, it works effective to actually get German soldiers to think of Jews that way. You know, and they're not just any Jews. They're the American Jews. They're Jews with entitlement.

I hope to give you at least 15 more years of movies. I`m not going to be this old guy that keeps cranking them out. My plan is to have a theater by that time in some small town and I will be the manager this crazy old movie guy.

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

It's nice to get invited to the parties and to be able to hobnob and celebrate a job well done with your colleagues.