You look at the Koran or the Bible, they all tell the same stories. You see them as the stories of the Middle East. The stories reflect who these people were in the Middle East, and this is where Western culture came from. All our literature is basically influenced by these great myths. So I'm fascinated by it. You could almost say I'm obsessed with it. But if you're asking about the effect of religion on my life - almost everything I do is opposed to the practice of religion.

I'm an atheist, a devout atheist, but I find religion fascinating. Primarily because of cultural references, as in: This is what we grew up with. Both on a personal level and a collective level.

I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.

...What happens is of little significance compared with the stories we tell ourselves about what happens. Events matter little, only stories of events affect us.

There are two kinds of people in this world: people who want to be desired, and people who want to be desired so much that they pretend they don't.

The whole world is going insane right now. We, too, have our own problems. The president of Lebanon is an arch-menace. But I think, as horrid as he is - and he is absolutely insane - he's still more sane than Trump, so that tells me a lot.

I need to have one foot inside and one foot outside a culture to be able to write about it. For example, I couldn't write about the gay culture if I were wholly inside or outside of it. Finding that distance is always interesting. I jokingly say that when I'm in America, I write about Beirut, and when I'm in Beirut, I write about America. A lot of my friends in Beirut think I'm more American than Lebanese. Here, my friends think of me more as Lebanese.