US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.

I think the art world will continue to be a place where people have a certain freedom and creativity to think about what's happening in Cuba.

Cuban artists had, for a while, a privileged position within Cuba that is probably going to become slightly less restricted to them. I think they'll continue to join the international art world, so those people who are extremely successful will become even more so and those who are struggling will continue to struggle.

Because there's such a long tradition of the arts being very prominent and very varied in Cuban culture and society, people do use the art world as a space for critical reflection and people look to it for that.

There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.

US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.

I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.