He rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen."!

I’m faster than the rest of you, if .. Because I’m a vampire,” Michael said, and it was some kind of breakthrough for him to say that. “If you get in trouble, I’ll be there.” “Nice,” Shane said. “I’m warming up to this bloodsucking thing, Mikey.” “No, you’re not.” “Okay, no, I’m not, but right now let’s pretend I am.

I never meant it," he was saying. "Never meant it to happen. Can't stand it, seeing her suffer. Must do something, do something... What do I do? What can I do...?

You know what I mean. And by the way, you should slow down.” I sighed. “You’re kidding me. This is coasting. This is little old lady speed.” “NASCAR drivers would have heart attacks. Slow down before we get a ticket.” “Chicken.

but sometimes optimism is the only drug that works. But it’s sadly temporary in its effects.

claire:dont do anything dumb or ill kill you myself shane:ouch girl whatever happend to unconditional love around here

I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.