I'm interested in the self. And in the limits and transformations of self. And in self presentation. And in doubt. And in playing with the audience's expectations. But I don't like dressing up like on Halloween.

When I edit the poems - and I do edit, which some people don't mean when they use the term "stream of consciousness" - I'm usually editing toward greater accuracy, which sometimes means more fragmentation, because that is the way I think.

I'm interested in the self. And in the limits and transformations of self. And in self presentation. And in doubt. And in playing with the audience's expectations. But I don't like dressing up like on Halloween.

I don't remember ever dressing up for Halloween but I must have. I do not like dressing up at all.

I agree that comedy does a good job - and is often about - stepping over the line - Lenny Bruce, etc. - and that this is important for a lot of poets too. I guess I feel like there has to be depth.

Lizzie Harris's Stop Wanting is an unflinching book about a girlhood filled with violence, doubt, vulnerability, and loss. These gorgeously crafted and hauntingly memorable poems are a bleak place full of life, prayer, and the kind of answers only poems like these can provide.

I have a complicated relationship with non-human animals. I've never really been close to one.