You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.

Ghost tells me every few years, Yo, you showed me this style ... I'm like, man, we the same style. At the end of the day, he's one of my favorite rappers, I'm one of his favorite rappers, and we just do it.

When you grow up in that environment of drugs and guns and people gettin' hurt, it start to reflect your background. And I think, at that time when I was doin' it, that's all I knew. But as I got older in the business, I stopped bein' involved with that, and I started to look at the world. And I said, 'Yo, I wanna start talkin' about everything that goes on in the world. I don't wanna just limit myself to one style'.

Rza just used the whole synopsis of the karate flick and capitalised offa that around this music. Some things you find out and you compare to yourself, and you're like, 'Wow, it has so much comparison to it', you start to live like that. And that's what happened - we started callin' ourselves Wu-Tang.

Soul music has so many great artists who put their thing down. That's important.

When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.

When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical.