You know, I'm a product of my environment, gettin' into everything you know a kid my age would get into, a lot of negativity was surroundin' me. And we came, sat up and had a discussion about makin' a record, I think I was more or less overwhelmed with just that fact.

When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.

Sometimes you can make a substantial amount of money and automatically think that you've made it, that you did everything you wanted to do. Some people just stop.

You gotta have a schedule, you gotta have a team that's passionate about seeing you do the things you say you wanna do. When it comes to delivering this, it takes a lot of work and I can't do that on my own.

It's true, the Shaolin and the Wu-Tang, could be dangerous.

Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.

I'm my own biggest marketing tool. I know the history of the business and I might as well capitalize on it.