It's important to have a spiritual side because tomorrow's no promise to us. We have to pay homage to our saviour and put him in our life more because, without him, you don't know where you're going to go.

You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.

We was just young guys who wanted to change. We got tired of doin' this same everyday bullshit that we was doin', and we all felt like we had dreams o' bein' a big star. You know, as far as with myself, I never really took it that serious as bein' a star. I only took it that serious as bein' a emcee, which is two different things. You know what I mean?

I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.

The most important thing is just to be recognised as a legend, like the people call me. To have that title attached to your name, you've got to be a bad man. It's an honour to have that role.

When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'

I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.