The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much more.

My aim is a very modern Dior, but at the end of the day, I also look back.

L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.

When it's only clothes, that is not satisfying enough for me. I don't think I could do this for 10, 20 years if that was all. It also has to be about a psychology or a mentality or a concept.

In my opinion, Christian Dior was never, ever theatre.

In fashion, general people will look to the piece itself. [Some designers] concentrate on, 'How can I make this seam look special?' or 'What am I going to do with that button so it looks interesting?' I am not interested in that. At the moment, I am more interested in the shape and the form. I have a big desire to make clothes without defining them.

My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.