The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much more.

My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.

I know this independence is what people like most about my brand.

Camouflage is about much more than concealment and going unnoticed. There's a whole game involved between revealing and hiding.

Fashion has a long interest in collaborative situations.

For me, Warhol made so much sense.

I've always seen myself as a small entity, and it will always stay like that. I'm not changing. But I think the big challenge for me taking on the Dior thing is to see how I can connect that to such a huge institution.