If you have a kid and you try irony out on them, they don't get it at 7, 8 years old. You can't really hide the Internet from kids. It worries me some particularly because I've done Disney and Pixar stuff.

Writers have always liked my stuff, pretty much. That's what I wanted - I think my goal wasn't to get rich and famous, necessarily, though I cared about that. I always thought, "Oh, this could be a hit," or "that will sell records." But the first thing I wanted was that people who knew a lot about music, or had taste-making qualities, they would like my stuff. Writers, people like that.

The belief in the '70s was that music was changing the world. I never believed that it had that great an effect. The effect Madonna had on fashion and sort of mores of young girls was a bigger deal than anything Dylan may have said, even.

What I'm most pleased about is that there's no particular decline. The songs I wrote 40 years ago are no worse and no better - there's a consistency.

We'll have a kid or maybe we'll rent one. He's got to be straight, we don't want a bent one.

It's a big surprise to me about America that there are 40 million people prepared to vote for (Trump). They wouldn't want him as a friend. No matter who you are, you wouldn't want him on your bowling team or to have dinner with him or anything. They would recognize it immediately in a guy. A big blowhard, braggart.

I think in most cases, unless you're writing about a character who is garrulous, you say what you've got to say and then get out. Those little conjunctions, those little turnaround words help you do it. That's the way I like to write: I get rid of things rather than add them.