There's a great temptation to throw things in, as you put it, that you think are neat, or that you have a very clear, specific memory of and think you could do a good job writing about. What I find is that it's like a seed you plant. You can try it, and if it will grow and connect with other ideas in the book, and you can see connections that you can actually realize on the page, then you're allowed to leave it in. But if it just kind of lies there and doesn't really add up to anything or there's no chemistry with everything else going on in the book, then you have to take it out.
Rebecca SteadBut every person has to learn to accept what has happened in the past. Without bitterness. Or there is no point in continuing with life.
Rebecca SteadIf you took every tear cried by everyone on earth on one single day and put them in a container, how big would that container need to be? Could you fill a water tower? Three water towers? It's one of those unknowable things. There has to be an answer, but we'll never know what it is.
Rebecca SteadI think if you can take something out and it doesn't change the book, it doesn't need to be there.
Rebecca SteadI feel lucky that I read so many books as a kid because I know that no matter how much I appreciate a book now, and I can love a book very much, it's never going to be that childhood passion for a book. There's some element, something special about the way they're reading books and experiencing books that's finite.
Rebecca SteadI remember in junior high school, which is what we called it, suddenly I was looking at myself, almost through other people's eyes, and thought: how does the world see me? So that was one of the things I was really interested in, when I was writing Goodbye Stranger.
Rebecca SteadI think the idea that in a riddle there are two answers or two doors and that you have to pick the right one is almost sort of delightful to kids who are making so many choices every day and who often don't know for a while if they've made the right one. It's not as if you make a choice and then *ding* you have some sense of "oh, this is perfect and I'm happy" - it's never that simple.
Rebecca Stead