The things that are reflected back at us, often times, are appealing to a base instinct that's about response as opposed to reflection. So for me, it's important to turn on a piece of information that might interest people, you know, that might interest them in pursuing or researching maybe, or even just thinking about it in that moment as I'm performing it.

If I'm improvising and I'm not doing well it's because I'm not listening very well. Either I'm overly concerned with something or I'm drifting or maybe I'm too stoned but I'm not getting a clear signal.

In general, I'm in support of promoting art and science in public schools. I think music and science are probably the most important factors for the human brain developing. Even more so than any other fields, because music covers mathematics, cognitive reasoning, motor skills, coordination, like, it's kind of everything.

An improv artist's best instrument is their ability keep their antennae clean so they're able to receive what I call the connection to creativity. It's the thing that you see in any amazing moment that any human being is performing. Whether it's watching Michael Jordan navigating through all these attackers and then suddenly rising up and putting the ball in the most amazing way, or watching an actor on stage playing Shakespeare, but not thinking about the actor anymore or the stage or you or the chair, any of these kinds of moments of transcendence.

I think the end goal, hopefully, is to take advantage of the attention Ive gotten along the way and use it for good and build some communities, and as I get older I can continue to do things and be surrounded by things that are inspirational to me.

Im pretty lazy when it comes to creativity. I just want it to be easy and fun.

When you're improvising, you're relying on this connection to creativity.