The first thing we do is sit around a table and discuss what we could pick up from daily life, from space. That's how it starts, completely abstract. There's no kind of, "Oh, let's do Peru," or "Let's do pleats," you know?

The more people that are afraid when they see new creation, the happier I am.

I started with wanting to think about witches, about strong women who have special powers - who are often misunderstood. Then I found some beautiful blue fabric, so I made Blue Witches. My creative process is always like that. Organic, text, theme, subtext, each day evolving and trying to make strong, beautiful clothes. It's that simple.

I am a clothes maker, and that's all I am. I only want to talk about the making of the clothes. I don't feel the need to go out there and explain that.

What's good about many people liking the work is that when I want to collaborate or am interested in the synergy of artists working together, nobody ever says no to me when I ask to work with them.

Most of the things I read from journalists are, you know, a little bit simplified and easy.

You can tell if it's a good collection if people are afraid of it. In ten years, everyone will love it.