Picture books are more difficult for me because it is telling a huge story in the least amount of words.

In my writing I hope to have a balance between the good and bad, the hard and soft.

These days, most of my interactions with young people are centered on the poetry or theater classes I teach, so the students I know are reading contemporary poets (they love Willie Perdomo) and scripts (No Child, by Nilaja Sun and Twilight by Anna Deavere Smith). I don't know their reading habits outside of our class, but I believe that they enjoy stories that they can relate to, learn from, be challenged by - you know, the usual good writing that every reader craves.

One important thing I take away daily is that for all the talk about what youth are not doing - especially young people of color - I know there are many who do care about their future, who are striving to affect their world in a positive way.

I have always known that I wanted to work with youth through the arts and I believe the arts can help young people cope with hardship.

Picture books are more difficult for me because it is telling a huge story in the least amount of words.

Post-publication I have been surprised at the limited resources publishers have to promote books. I certainly knew that being a new author, I would have to do a lot of self-promoting, but it really has surprised me just how much I have had to do myself to make sure the books get into the hands of young people.