I am close friends with Marina Abamovich, so I love strong, very aggressive political art. She is like a mom who wants to adopt me.

I didn't know I was going to become a designer; I was going to become a successful person, but I really wanted to be free.

We didn't have a television, so we sat around the table, and me and my sisters and my mom would do these jobs, like, a penny for a piece, you know, these paper jobs. You know, what really saved me as a human today is my sisters and my mom.

There are some people whom I esteem and want their opinion first, but that's my way. It is difficult for me to delegate. In the end, I do have two or three people on my team who I listen to.

I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.

Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.

I remember that my sisters gave me this beautiful, like, empty book for Christmas. And I would draw all these beautiful women. Most of the time it was mermaids and a Minotaur: half human, half animal. I used to be obsessed with Minotaurs when I was a child.